It is the same as the distance from the top of this kneecap to the top of the pelvis. The distance from the pit of the neck to the pubic bone is comparable to the distance from the ground to the top of the kneecap of the supporting leg. The top of the pelvis can be simplified as an oval, which we see from above. With the necessary proportions in place, we can now outline a ribcage. The height of the head is used to check the width of the waist. The height of the face can be compared to the distance from the pit of the neck to the end of the breastbone from the pubic bone to the navel and from the navel to the breastbone. This pair is marked as an oval.īecause shoulders and pelvis are tilted, the spinal column is curved laterally. Half of the face's height can be used for checking the width of the first pair of ribs. This helps to keep the shoulders on one level. The trapezius' outline is marked in one continuous line. The height of the head approximates the visible width of the trapezius. The face can be used as a measuring unit for the collar bones.
Now, we can mark the axis of the supporting leg, which runs from the side of the pelvis to the footprint. The half of the face is similar to the distance from the middle of the figure to the front hip bones. The next step is to measure the distance from the top of the head to the pit of the neck and use it as guidance for the pelvis' width. In contrapposto, the line of the shoulders is tilted in the opposite direction to the pelvis. This measurement is one-third of the face. The distance from the nose to the chin is comparable to the distance from the chin to the pit of the neck. These divisions give the lines of the eyebrows and the base of the nose. The face can be divided into three equal parts. The height of the head divided in half gives the level of the eyes. We will roughly mark the outlines of the head at this step. Because this model's head fits fewer than eight times into its body, we add a tiny bit to the top division. The top quarter is then divided in half again, giving one-eighth of the figure's height.
Such division gives us four quarters of the figure's height. The same applies to the figure's top half. The lower half of the figure is divided into two equal parts. The pelvis is tilted in such a pose because the weight of the figure is supported mostly by one leg. The height of the figure is divided in half. A vertical axis runs from the top to the bottom.
#Sketch woman body drawing how to
When it comes to the question How to Draw Female Body, first, we mark the top and bottom edges of the figure.
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